Tuesday, August 25, 2020

Art Critique

Patricia Gelin I. DoctoleroMarch 6, 2013 E-1R Mater Dolorosa By Simon Dela Rosa Flores (Critique Paper) The work of art entitled Mater Dolorosa that is painted utilizing oil by Simon Dela Rosa Flores on a canvas (104 x 73. 5 cm). Simon Flores is known for his strict canvases that were appointed by well off families and ward chapels. The date of the artwork when it was made was not known. I. Translation When I initially observed the artistic creation, I thought of a mother pondering her child/daughter.The youngsters behind the mother and gazing at her were her watchman blessed messengers that help, solace and guide her to petition God for her child/little girl. I imagine that the child/little girl has been an issue to his/her mom and has been away for quite a while. Therefore, she has been hanging tight for him/her to return to her consideration and she has been lamenting, yearning for them to be with her. The watchman heavenly attendants are remaining by the side of mother to be quie t and disclose to her trust God to wrap up for her. The canvas gives an inclination to me that are peaceful and miserable, yet brimming with expectation and trust in God that He will assist her with bringing back her kid. Likewise read this Critique of Stuff Is Not SalvationIn a way, I can likewise recall my own mom in the work of art that consistently deals with me and is constantly stressed at whatever point I am not close by. I picked this fine art due to all, I esteem most my family and God. This artwork gives everything to me and reflects genuine feelings that a mother must feel at whatever point she is pitiful, yearning for her youngster to return to her. Numerous accounts can be related with this painting. Another story that I can likewise identify with the composition is the mother’s youngster has been dead and still the mother can't acknowledge the way that her kid was at that point gone.II. Examination PART (Artwork Interpretation by Artist) The translation of Simon Dela Rosa Flores of his craftsmanship entitled Mater Dolorosa was truly what the painting needs to tell the watchers. He said that it was his own variant of lamenting mother with long wavy hair against a dim blue and whi te tunic that represents the feelings that the mother feels like miserable and restless. The hands of the mother were caught near her heart to reflect despondency. Her outward appearances were exceptionally aloof and troubled.The youngsters that are behind the mother were seraphs that are managing the mother in the midst of he distress. III. Components OF ART USED The components of craftsmanship that were utilized by Simon dela Rosa Flores were shading and worth. The hues that were utilized, represented the feelings and emotions that was felt by the mother in the artistic creation like the dim blue for distress and the white tunic for trust and furthermore for confidence in God. The cherub’s shading delineates direction and furthermore light from them. Worth is additionally utilized such that the artistic creation has its social worth particularly for Filipinos.It is likewise a direct result of the profound significance behind the work of art of the lamenting mother. IV. SOCI O-HISTORICAL CONTEXT ON ART AND SOCIETY Simon dela Rosa Flores is known in his time in committing his craft to strict perspectives, well off and acclaimed individuals. He enjoys making pictures of individuals and the greater part of his works of art remembers utilization of oil for a canvas. One of his strict works of art is the Mater Dolorosa which is near his mom and youngster and San Roque however rather than the kid there where angels. Mater Dolorosa implies lamenting mother in Spanish.Many renditions of this canvas were done exceptionally on the Spanish occasions. Hs painting began in the nineteenth century where the illustrados saw the ascent of craft of painting. The illustrados contracted painters to make representation of themselves to archive and for others to see their newly discovered riches and economic wellbeing. One of the painters who are named is no other than Simon Flores. He painted gems, style adornments, minuet subtleties of weaved garments and strict benefactor s. From that point, he began painting strict figures and even rich families turned into his core interest. Workmanship Critique Patricia Gelin I. DoctoleroMarch 6, 2013 E-1R Mater Dolorosa By Simon Dela Rosa Flores (Critique Paper) The fine art entitled Mater Dolorosa that is painted utilizing oil by Simon Dela Rosa Flores on a canvas (104 x 73. 5 cm). Simon Flores is known for his strict works of art that were appointed by well off families and ward houses of worship. The date of the work of art when it was made was not known. I. Translation When I initially observed the artwork, I thought of a mother considering her child/daughter.The kids behind the mother and gazing at her were her watchman blessed messengers that help, solace and guide her to appeal to God for her child/little girl. I feel that the child/little girl has been an issue to his/her mom and has been away for quite a while. Therefore, she has been sitting tight for him/her to return to her consideration and she has been lamenting, aching for them to be with her. The watchman heavenly attendants are remaining by the side of mother to be quiet a nd reveal to her trust God to wrap up for her. The artwork gives an inclination to me that are tranquil and dismal, however loaded with expectation and trust in God that He will assist her with bringing back her kid. Likewise read this Critique of Stuff Is Not SalvationIn a way, I can likewise recall my own mom in the work of art that consistently deals with me and is constantly stressed at whatever point I am not close by. I picked this craftsmanship in light of all, I esteem most my family and God. This work of art gives everything to me and reflects genuine feelings that a mother must feel at whatever point she is dismal, yearning for her youngster to return to her. Numerous accounts can be related with this painting. Another story that I can likewise identify with the artwork is the mother’s kid has been dead and still the mother can't acknowledge the way that her youngster was at that point gone.II. Exploration PART (Artwork Interpretation by Artist) The translation of Simon Dela Rosa Flores of his fine art entitled Mater Dolorosa was truly what the painting needs to tell the watchers. He said that it was his own variant of lamenting mother with long wavy hair against a dim blue and white tunic that represents the feelings that the mother feels like pitiful and on edge. The hands of the mother were caught near her heart to reflect despondency. Her outward appearances were detached and troubled.The kids that are behind the mother were angels that are controlling the mother in the midst of he distress. III. Components OF ART USED The components of workmanship that were utilized by Simon dela Rosa Flores were shading and worth. The hues that were utilized, represented the feelings and emotions that was felt by the mother in the composition like the dim blue for distress and the white tunic for trust and furthermore for confidence in God. The cherub’s shading portrays direction and furthermore light from them. Worth is likewise utilized such that the work of art has its social worth particularly for Filipinos.It is additionally a direct result of the profound significance behind the canvas of the lamenting mother. IV. SOCIO-HISTORICAL CONTEXT ON ART AND SOC IETY Simon dela Rosa Flores is known in his time in committing his specialty to strict perspectives, well off and acclaimed individuals. He enjoys making pictures of individuals and a large portion of his artistic creations remembers utilization of oil for a canvas. One of his strict compositions is the Mater Dolorosa which is near his mom and kid and San Roque however rather than the kid there where seraphs. Mater Dolorosa implies lamenting mother in Spanish.Many forms of this work of art were done uncommonly on the Spanish occasions. Hs painting began in the nineteenth century where the illustrados saw the ascent of specialty of painting. The illustrados contracted painters to make picture of themselves to record and for others to see their freshly discovered riches and societal position. One of the painters who are delegated is no other than Simon Flores. He painted gems, design adornments, minuet subtleties of weaved garments and strict benefactors. From that point, he began pai nting strict figures and even rich families turned into his core interest.

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